Known for appearing in Baywatch and for her tumultuous relationship with rockstar Tommy Lee, Pamela Anderson and our opinion of her has been shaped by her appearance, the drama surrounding her, and what we’ve read in the papers. As stated in her interview that played after the screening of this magnificent film, Pamela’s story is actually only just beginning – it’s time to change the narrative. With a refreshing dramatic role from Anderson that proves she has a lot to give, The Last Showgirl follows Shelley, a performer who is forced to plan for her future when her show abruptly closes after a 30-year run. With superb performances, mesmerizing filmmaking, and a thorough exploration of its important themes, The Last Showgirl is a triumph.
The Last Showgirl Proves Pamela Anderson’s Star Power Is Brighter Than Ever

Despite the glitz, glamour, and feathers, The Last Showgirl is a movie full of heart – it’s very human from start to finish. Although Shelley (Anderson) and her girls are adorned from head to toe in glitter and headdresses by night, they’re just like us by day. The Last Showgirl shows us the less glamorous side of Las Vegas; the performers are struggling to make ends meet, their jobs jeopardize their relationships with their family and most importantly, the industry is happy to turf them out once they stop looking the part. With strong exploration into aging, beauty, and how those themes always seem to intertwine for women, The Last Showgirl delivers a very honest portrayal of what it’s like to get older and lose your identity.
It also sheds light on how times are changing, as Shelley is not adored and admired like she used to be when she started her job. We quickly learn that she has a rocky relationship with her daughter, played excellently by Billie Lourd, who not only judges her for chasing this dream but also chooses it over her. Through their relationship, we get a deep dive into the repercussions women face when putting their careers first, and how we must live with these choices.

Pamela Anderson gives an award-worthy performance as Shelley, portraying much emotion and depth through her eyes and facial expressions alone. If this is only the start of her acting career in dramatic roles such as these, it’s exciting to see where she’ll head next. The entire supporting cast is wonderful, boasting Dave Bautista, Jamie Lee Curtis, Kiernan Shipka, and Brenda Song. Curtis stands out especially as Annette, a ‘cocktail girl’ who is seeing her hours working at the casino diminish as the younger staff are favored. Those BAFTA and SAG nominations are warranted. It’s a real ensemble effort and everyone brings their A-game. The performers are like a family, and their bond is believable throughout. They fight, cuddle, love, bicker, and laugh like a family, and it’s endearing to see.

Perhaps Gia Coppola’s strongest effort yet in the director’s chair, The Last Showgirl is admirable in all areas. With dazzling costuming made up of real showgirl outfits, a snappy 88-minute run-time, stunning cinematography shot on film, and a meticulous script that takes care with its themes, The Last Showgirl leaves a lasting impact whilst putting forward an important message. Shot in just 18 days, it mimics the chaos and rush of performing on stage in an immersive, exasperating way. The acting is the cherry on top that brings it all together, particularly that of Pamela Anderson who is nothing short of a revelation. It’s a shock she’s not getting more recognition this awards season, as she undoubtedly deserves it.
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Grade: A
The Last Showgirl
When the glittering Las Vegas revue she has headlined for decades announces it will soon close, a glamorous showgirl must reconcile with the decisions she’s made and the community she has built as she plans her next act.
Release Date: December 12, 2025
Director: Gia Coppola
Cast: Pamela Anderson , Kiernan Shipka , Jamie Lee Curtis
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